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Xu
Wei
徐渭
1521-1593 |

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Xu Wei is one
of the greatest Xie Yi (free and unrestrained style)
artists China has ever known. His flower-and-bird-paintings
were a model for later generations and influenced outstanding
painters such as
Bada Shanren
and
Qi Baishi. Xu
Wei was the typical model of the miserable and unsuccessful
artist who struggled for recognition all his life but repeatedly
failed. The interesting thing is that Xu Wei’s dream of
recognition was not confined to the world of arts and one may
argue that his main ambitions were focused on the political
arena. A sharp and intelligent young man, Xu passed the tough
imperial examinations at the early age of 20 but it seems that
after this early climax in his life and some success as a
statesman, Xu failed to be promoted and fulfill his well
established political agenda, he also lost his wife which many
believe resulted in mental instability. Painting was a channel
to escape this misery and express his views but it did not stop
him from repeatedly trying to put an end to his life.

Xu was an extremely prolific
intellectual, on top of his deep understanding of politics,
military affairs, economics and his great talent in painting and
unique and fresh style of Cursive Calligraphy, Xu also wrote and
composed noteworthy musical Dramas. Xu’s painting style reflects
the turbulent life he lived and the strong emotions and agony he
experienced, he demonstrated a wild and unrestrained form of
expressionism which he accommodated with poetry that expressed
his inner world. Calligraphy, poetry and his ink splashes unite
beautifully into an organic whole. He is responsible for
establishing paper, as opposed to silk, as the preferable
surface for ink painting, after Xu, paper becomes the standard
and most favorable medium in Chinese painting.
About 20 years after dying in
poverty, Xu Wei was discovered by the head of the Gong An
School, Yuan Hongdao, who detected Xu’s Genius and vowed to
expose his art to the world. Due to Yuan Hongdao’s success, Xu
is now recognized as one of China’s greatest master painters and
a symbol of man’s uncompromising need to express feelings and
create.
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